# Mid-century limited (sref-YKQ412)

Slice style ref: sref-YKQ412
Page: https://tryslicemedia.com/styles/sref-YKQ412
Slug: mid-century-limited

> THIS IS A MOODBOARD, NOT A TEMPLATE. The style below is inspiration for the look and feel. Keep its materials, colours, textures and the way it moves, but invent your own scenes, characters and objects for this clip. You are not limited to anything shown in the preview, and nothing in it has to appear. Use illustration and animation to help tell the clip's story.

## At a glance
- Feel: Angular 1950s-style cartoon: flat off-register colour blocks, wobbly ink and held poses.
- Group: Cartoon & character
- Energy: calm; mood: witty, stylish, nostalgic
- Pictures: all drawn, no photos needed
- Palette: #F2E3C6, #E2603F, #2E7D7A, #F2B544, #2B2B2B, #9CC9C1
- Preview shape: 9:16 (the look works in any shape: 9:16, 4:5, 1:1 or 16:9)

## The look
LOOK: a 1950s-style limited-animation cartoon: angular, stylised characters and rooms built from flat colour blocks. Ground #F2E3C6 cream, #E2603F tangerine, #2E7D7A teal, #F2B544 mustard, #9CC9C1 pale aqua, with #2B2B2B ink.
LINE AND FILL: wobbly, slightly uneven ink lines; flat colour blocks printed off register so colour sits a few pixels away from its line. Figures are geometric: trapezoid bodies, long pointed noses, dot eyes, stick limbs. Rooms are suggested with a few tilted shapes, not drawn in full.
TEXTURE: dry-brush streaks and grain over the whole frame, a gentle line boil.
LIGHT: flat. Light shows only as a translucent colour shape (a lamp cone, a window block).
CAMERA: locked, flat staging like a stage set; no perspective.
MOTION: limited animation: characters hold a pose, then snap to the next (head tilt, arm up, eyes up); only the part that matters moves, on twos. Small details count up one per beat (dots, lines). One atomic-star pop on the key moment, then hold.
TYPE: a bouncy brush script in tangerine, slightly tilted, with a thin ink echo off register.
THE RULE: everything is flat, angular and printed slightly out of register, and characters act in held poses.
DON'T: no smooth full animation, no gradients, no realistic proportions, no real cartoon characters or studios, no outlines that line up perfectly with their colour.
Treat these as the look, never a template: invent fresh pictures, words and compositions from what this clip says.

## What it suits
- Content: explainer, business, opinion, comedy, advice
- Tone: witty, stylish, dry
- Pace: medium
- Best for: Clever explainers, work and money talk, dry humour and a eureka moment.
- Avoid for: Raw emotional stories, grief or very modern tech aesthetics.
- Keywords: mid-century, 1950s, limited animation, flat, angular, atomic, off-register, retro cartoon
- Suits (from the library): Money and business, Teaching, Opinion, Comedy

## How to use it
Tell most of the clip as flat 1950s cartoon scenes that explain the idea with held poses and a eureka turn, cutting back to the speaker once or twice for the dry punchline.

## Where the speaker sits
Suits Full scene, Side; avoid Drawn over. (save_scene speaker: {"mode":"hidden"}, {"mode":"side","where":"left"})

## Story first
STORY FIRST. Read the whole clip before you design anything.
1. Write the clip's arc in one line: setup, tension, turn, pay-off. Name the one line that is the reveal.
2. Tag every sentence with its job: setup, context, tension, turn, reveal, example, number, contrast, list, quote, feeling, metaphor, callback, pay-off, aside.
3. The visuals carry the whole clip. If the clip shows the speaker's face, open on them (the first scene keeps them on screen) unless the person says otherwise. After that, never cut back to the speaker full-frame unless the person asks for it; if they do, only on the ending, never in the middle of an explanation. The speaker can still sit inside a scene (a corner, a split or drawn in) when the person wants to be seen.
4. Build one flowing visual story, not a new picture per sentence. Each scene covers a whole thought (one to three sentences), holds 3 to 8 seconds and turns into the next.
5. Start each scene on the first word of its sentence, or up to half a second before. Never cut mid-sentence.
6. Inside a scene, bring small details in on the words they show (an item, a tag, a tick). Earlier details stay.
7. Choose one or two recurring objects or characters in the first scene and bring them back changed. Callbacks beat new pictures.
8. Build up the same picture where you can (add to it, move the camera across it) instead of replacing it.
9. Energy: about 80 percent still, drifting or gentle. Allow one big move in the whole clip, on the reveal, for 1 to 2 seconds, then settle and hold.
10. Numbers sit on a scale (gauge, bar, table, timeline) and hold long enough to read. Contrasts are a still split or the same layout twice.
11. Feelings get a quiet image, or one of the cuts back to the speaker; never effects.
12. On-screen text names, labels or quotes; it never repeats the caption. Five words or fewer per label.
13. End every scene by settling or thinning out, or by turning into the next scene. No exit effects.
14. The style sets the look. These rules set when, how long and how calmly. If the style's own motion rules ask for more energy than this, use less.

TECH: one HTML file, one GSAP 3 timeline created paused as window.__timelines.main, duration = the scene's length, transforms and opacity only.

## Sample frames
- Frame 1: https://ripttgmjfyhtufiygtbe.supabase.co/storage/v1/object/public/style-frames/sref-YKQ412/f1-c905e846.webp
- Frame 2: https://ripttgmjfyhtufiygtbe.supabase.co/storage/v1/object/public/style-frames/sref-YKQ412/f2-a0359205.webp
- Frame 3: https://ripttgmjfyhtufiygtbe.supabase.co/storage/v1/object/public/style-frames/sref-YKQ412/f3-bb6c1572.webp
- Frame 4: https://ripttgmjfyhtufiygtbe.supabase.co/storage/v1/object/public/style-frames/sref-YKQ412/f4-d94d8a6e.webp

## More
- Every style: https://tryslicemedia.com/styles
- All styles as plain text: https://tryslicemedia.com/styles.txt
- Make it in Slice: https://tryslicemedia.com/shorts