A risograph is a duplicator, not a printer: it burns a stencil and pushes soy ink through it, one colour at a time. The dots are coarse, the ink sits on top of the paper rather than in it, and the colours are fluorescent in a way CMYK cannot reach.
So the recipe is a big halftone dot, an ink colour that is nobody's idea of accurate, and the same multiply that printing does. The misregistration and the roller marks are the other half of a real riso; this gives you the dot and the ink.
What this look is made of: Halftone at 13px spacing with a 5px dot, rotated 30 degrees, in riso pink, multiplied at 42%. Every one of those is a control below, so this is a starting point rather than a filter.
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Looks
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How it works
- 1Add an imageJPG, PNG, WebP, GIF, SVG or BMP.
- 2Press a lookNine of them. Each sets the pattern, the colour, the blend and the opacity at once.
- 3Layer a backgroundStack patterns with their own colour and opacity.
- 4ExportPNG or JPEG, at 1x, 2x or 3x.
Questions
What makes something look risograph rather than just printed?
Can I get the two-colour riso look?
What angle should the dots be at?
Other looks in this tool
Add texture and depth to any image
Nine named looks — newsprint, risograph, etching, film grain, CRT — each one press. Underneath them are thirteen hand-made patterns, five blend modes, and every parameter the look set, still yours to move. Everything runs in your browser, so your images never leave your device.
13 texture presets
Crosshatch, Woven, Linen, Halftone, Diagonal, Dot Grid, Scanlines, Noise, Fabric, Herringbone, Checker and Grid.
Background layers
Stack pattern layers with their own colour, opacity and visibility.
High-quality export
2x resolution as PNG or JPEG, for social, print and client work.
This tool is looked after by Sponge.Soaks up every texture it meets. Squishy, and delighted about it.
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